Laurie Sullivan

jueves, 12 de julio de 2012
The Boy and the Book
THE
BOY AND THE BOOK
I never really had a name. They just used to
call me ‘pibe’. Later on in life, I baptised myself from a list in the Registry
Office, but until then, the only baptismal fire I ever knew was the hot sun of
the Chaco. How I remember that heat! It burnt one’s skin, melting the vision,
and baking one’s head until a man thought that his brains would explode and his
eyes pop out.
From
the first days that I can remember, I worked. We all worked, rooting around
like a family of scrawny chickens, desperately trying to make a living from the
arid hectare and a half that my father inherited from his father. We owned a
cow, two or three pigs depending on whether times were bad or worse, some hens
and a bad-tempered rooster. And we slaved over vegetables and corn, and planted
cotton, It was a hard life and my father was a hard man.
There was no paper in our house. Neither of my
parents, nor my elder brothers Tulio and
Antonio, could read or write, and I was so paperless that I had no name. Not
even our farm had papers. We lived
kilometres from the nearest village, which was, in turn, kilometres from the
nearest town. We had no neighbours, no policemen, no postman and no priest We
paid no taxes and saw no posters.
“Pibe, have you fed the hens?”
“Pibe, water the vegetables!”
“Pibe, move the cow!”
Once I asked my mother, a taciturn woman with
soft brown eyes, “Why don’t I have a name?”
“Why do you need one ? You know who you are.” I
had no answer.
By the time I was nine, I was a dreamy muscular
little rebel. Tulio and Antonio were good sons. They never questioned our
father’s hard driving insistence, and they worked shoulder to shoulder with his
curt unsmiling orders. They were good brothers too, answering me patiently and
avoiding my more stupid questions.
“Why don’t I have a name? You both have names?”
“Pibe, you ask too many questions.”
“Pibe … that’s your name! ……. Pibe.”
“But why don’t I have a real name ?”
Only once did my persistence crack their
restraint, and then it was Tulio, the oldest, who spat back the real answers.
“Because Father didn’t give you one!”
“But why not?”
“Because that’s the way it is. You are the
third, and the third stays at home, - always. You will be here until you die
working this land. Father was the
third.”
“But why ?”
“Because that’s the way it always has been, and
the way it always will be. And since you
will always be here, why do you need a name ?”
The truth lit the fires of resentment. And
indeed once I thought, I knew that I had always known that. My father was
indeed a third son, - his two older brothers had died in the war against
Paraguay. He had accepted his role. Now he was ‘Father’, but once he too had
been ‘Pibe’, but it was then that I decided I would never accept this fate.
Whatever I was, wherever I was, I would have a name. My soul was like the
Chaco, burning – but with shame.
I was twelve when I met her, and I knew at once
that she was the most beautiful woman in the world. One of pigs had escaped,
and I had been sent across the reddish, sandy dunes, pockmarked with sturdy
weeds and millions of ant-holes, to find it and bring it back, and sent
urgently, for the piglets were due and would mean a lot in our precarious
family economy. Three or four kilometres from home, I saw the pig and began to
run fast so as to turn it back. Just as
I reached the track that led to the bigger track, I saw her riding a mule. She
had breasts, hips, long dark curly hair, and full blood-red lips. And she was
tall, taller even than my brothers. But it was only when she got off the mule
to speak to me, that I noticed her dark satin eyes, and the long, long fingers.
“Hey, pibe, where’s the village? Is it far from here?”
She was wearing red trousers with cut-off bottoms,
and a creamy shirt, - and she knew my name.
“Hey pibe, - answer me, will you?”
What was
more, she smelled good.
“Hey pibe, what are you staring at?”
“Sorry, - but how do you know who I am?”
“I don’t! So, little mystery man, - where is the village ?”
I pointed to the track that went to the bigger
track, and which, - or so they said, - led to the road that went to the
village.
“That’s the way, - I think. Why are you going to
the village?” We lived in a small world, and going to the village was a special
event. Anyway, our curiosity never meant that we were rude, - just curious!
“ The circus is going there, and I belong to the
circus.”
“A Circus? What’s a circus?”
“Have you never seen a circus ?”
I shook my head. I never had, and I couldn’t
imagine what it might be, She laughed, stood up and fished around in her
saddlebag.
“Here. Take a couple of these home. They will
tell you about our circus, and then you can tell your friends.” She handed me
some brown things with squiggles on them. I looked at them dumbfounded. I had
never seen paper, - let alone writing – before.
She looked down at me gently. “Hey, pibe, what’s
the matter?” , and then realising, “ you can’t read, can
you?”
I shook my head. How could have I expressed that
in my world, the word ‘read’ was never used?
And then she asked me, even more gently, “Hey
pibe, what’s your name?”
Then I knew anger, the cold anger that comes
from being nameless, and I lifted my head and my chin to tell the truth right
into her face. “I have no name. They haven’t given me one. They say I don’t
need it.”
She smiled then, and stroked my arm. “Then you
must fight to have one. But to have a name, you must be a person. That is a
fight that only you can fight. No one can help you, - for if they do, you will
never be your own person, only theirs.”
She turned back to her saddlebag, standing on tiptoes
to reach into the bottom. “I will give you this present, so that you can fight,
pibe.” And she handed me a book. Then, mounting the mule again, she looked down
at me. “Take it, hold it, feel it, protect it, learn to read it, and, most of
all, love it and what it says, and how it says it. Then you will learn that the
world is for you and I, just as much as it is for others. Then you can be you,
pibe, and you will find your name.” Then
she waved and rode off along the track that led to the bigger track, and, -so
they said, - to the road that went to the village. I never saw her again.
I never knew why I hid that book for so long,
but I always knew why I loved it. It had pictures, brown sepia prints that
spoke of things way beyond my world, - of mountains and snow, of strange
animals and people, of dancing and laughter, and magic and peace. And the
words, strange incomprehensible signs to me then, seemed to speak with the
pictures.
Life did not change much. I dug and ran, watered
and cleaned, raked and harnessed, but whenever I could I pulled out my book
from its hiding place, and let the pictures speak. The Chaco sun was just as
hot, the work as hard, my father as sullen and my mother as silent as always,
and everyday was just as hard and monotonous. Nor did my anger grow less. The
burning continued, and the pain and shame that went with it. But while the
pictures spoke, I knew that there was something different in my life.
About fifty paces behind our adobe,
straw-thatched house, there was a big ‘chivato’ tree, below which we kept chickens.
You couldn’t have spoken of a hen-house, because the few piled boxes, and
strings of wire that marked it, were not
worthy of the name, and the hens very rarely left eggs there. A lot of my day
was spent crawling under bushes, looking for eggs. Scrawny hens and scrawny
humans are great survivors, and obvious places of danger are avoided. But, when
I sat with my back against the tree facing away from the house, I could not see
my life nor be seen by those who were in it. It was where I sat when the
pictures spoke to me.
I was twelve, and old enough to have heard him
coming, for he was as little a man of stealth as he was of warmth. I was deep in the book, soothed by its
wonders, when I sensed him standing over me. He snatched the book, kicking me
roughly in the hip.
“Idiot! Waster! How will this fill your stomach?”,
and he hurled the book into a stinking puddle of muddy water. “Feed the hens, pibe, - that’s all you or I
will ever be good for!”
It was the longest sentence that my father had
ever spoken to me. He turned his back, and walked away back to the work he had
been doing.
I was angry but calm. I was sad but determined.
The book was ruined, but my life would not be.
I too turned and walked, then ran, - onward to a world of books, of
circuses and mountains, of snow and laughter, of magic and of strange animals,
of dancing and of peace. I ran and ran. I never looked back and I never went
back, and along tracks that led to bigger tracks, and roads that led to
streets, and streets that led to schools, I made my way to the world of names
and people, ……. and to the world of words.
domingo, 3 de junio de 2012
Some information
Anyone who comes into this blogspot is more than welcome. However, I do hope that you will enter and add a comment to anything you read, - even if it's only to say why you didn't like it or couldn't finish it! If you woant to make suggestions, or corrections, or complaints you are also more than welcome. But please, DON´T just come in and not identify yourselves.
You will be even MORE WELCOME if you have something which you have written and wish to publish here. But, - if you do, - I (at least) will certain tell you what I think of it.
You will be even MORE WELCOME if you have something which you have written and wish to publish here. But, - if you do, - I (at least) will certain tell you what I think of it.
sábado, 26 de mayo de 2012
Explanations - The Devil and The Cross
Both the Norwich poem and The Devil and The Cross enter a special catagory for anyone who writes. They are finished! There is nothing more I can do, or want to do, with them. That being the case you can use them for the classroom or you can join in this blog and suggest some things I could do with them.
What you can't do is publish them without my permission. They are protected by copyright.
What you can't do is publish them without my permission. They are protected by copyright.
viernes, 25 de mayo de 2012
TThe Devil and the Cross
THE DEVIL AND THE
CROSS
Nobody quite knows when the Devil came to La Cruz, nor
who invited him, nor how he arrived, - but everyone knows that he opened a
Funeral Parlour and installed a telephone.
That Satan should do both of these things openly, seemed logical enough
to the people of the village. Only the Church or its eternal opponent the
Devil, could perform miracles, and both of these things were a miracle. Moreover,
hadn’t Father Olguín said,, with his soul-chilling logic, that there was no
need to open a shop for the Dead, and even less need to ring them up. And
wasn’t the funeral parlour right opposite the church on the other side of the
square , right beside the Municipality
that hot-bed of radical atheism ? And
wasn’t the man who looked after it, - who incidentally had the most unlikely
name of Pedro Rodriguez, - dark-skinned, with a black moustache and a filthy
black soul to match ? These questions, -
rhetorical though they were, - caused much nodding of heads. Even the bank
manager’s wife was known to be convinced.
So the faithful of La Cruz, both those who professed
loudly their Catholicism and those who actually went to Mass, crossed
themselves while walking past the funeral parlour, and Rodriguez, a very devil
of a man, watched them, his black eyes mirroring his black soul, and kept his
thoughts to himself. As the years passed the stories grew. Other telephones
were installed, but they were not miracles. Father Olguín died, but Pedro
Rodriguez went on living, - and while those who crossed themselves and nodded
their heads grew older, Rodriguez seemed not to have aged one day. Governments came and went, but the funeral
parlour remained, and children were taught to walk carefully past it so that
they could teach their children to do the same. Those who were seen entering or
leaving were stared at and then left alone for a few hours, as though anything
contagious would evaporate.
But of course there were funerals. Then the relatives
would huddle together outside the door, while the oldest male summoned up the
courage to enter, shuffling through the dust and trying to avoid the black eyes
that stared blankly and unblinkingly. Later the Devil would dress in a black
uniform, high-buttoned to the neck, and crisp black leggings to drive the black
car that carried the coffin. Not surprisingly, as many pointed out, he never
entered the church but leaned against the hearse, arms and legs crossed with
black indifference. The service over, he would drive to the cemetery, and it
was only then that he showed any sign of emotion, smiling thinly with a tight
pursed mouth, as though his white teeth were a disgrace to be hidden from
sight.
‘’ What are you smiling at?”, a young widow once asked
him.
‘’ Why shouldn’t I?” answered the Devil Rodriguez. “There
goes one more, and I am still here!”
And apart from his daily trip to the village store,
where his wants, sparingly spoken for, were hastily served, a funeral was the
only occasion when he was seen outside the funeral parlour. In fact, as more
years passed and the stories grew taller, the village became quite proud of
him. Well, God might be everywhere but it was only in La Cruz that you could
meet the Devil. Father Damian disapproved, but he lacked Father Olguín’s wit, and
thus his influence.
“What do you do all day?”, someone once asked him.
“I wait’’, he answered, and the village which, by and
large, thought that was a very fair answer, settled down to wait with him.
When Don Jose Olmedo de Gazán died, he did so with the
simple style and dignity that had always marked him out as a perfect gentleman.
Crushed against the wooden bar, he felt the pain stabbing through his ribs and
arm just as he began his second drink. He was neither surprised nor afraid. He
had smoked forty cigarettes a day since the age of ten, and had drunk at least
two litres of wine a day since the age of twelve. Moreover he breakfasted
regularly on salami.
“It’s the salami that will get me,” he had often said
to Dona Clara, “ all that donkey can’t be good for a man !’’
Whatever it was that was getting to him just at that
moment was, he knew, fatal and final, but a man, - at least a real man – always
finished his drink. Good wine was not cheap and old habits die hard, - harder
than old men he thought to himself, as he carefully put down his glass to catch
the barman’s eye.
“Roberto, - open up two bottles of wine and pass them
round !’’, he called, counting out the notes with painful concentration. The
barman, an astute observer of the human scene if ever there was one, watched
the deepening green of Don Jose’s face with undisguised interest, and did as he
was told. The old man husbanded his last
resources, - there was much to be gained from a dignified death – and despite
the searing pain, called for a toast.
“ Viva Perón!’’ , he shouted.
“ Viva Perón !’’ , they answered in what was not so
much a political statement, as the friendly repetition of a decent man’s known
preferences. Then, softly - but quite audibly, - Don Jose added, “La puta madre!’’,
and keeled over and died.
Later on, once the hubbub and excitement had died
down, everyone admitted that he had made a grand exit, paying like a gentleman
for what was, at least for him, a final round.
“Que buen muchacho!”, they said of him despite his sixty
–eight years.
“A great man!” they said as they ambled off to get
ready for the wake.
“May he rest with the Virgin and the Saints!’’ , said
the village whore, who was sure his last words had been for her.
Nobody could really deny that Don Jose and Dona Clara
had earned the respect and gratitude of their neighbours. The reasons were
quite simple. For thirty years they had lived together in a state of
unremitting warfare conducted in a highly civilised fashion. Social
conventions, (like those of Geneva ), had brought a certain gentility to the
more brutal clashes, but the struggle had been unrelenting and, for the
neighbours, highly entertaining. Indeed, Don Jose’s breakfast salami, such a
confirmed habit later on in life, had begun as a simple act of war. Of course,
its original bellicose intentions had soon been replaced by growing addiction,
but they had not been forgotten.
“Goat! Idiot!’’, Dona Clara would scream, when he
complained about his garlic flavoured indigestion. “You put the muck in your
stomach, so complain to yourself, and for the love of God, go and breathe
somewhere else.’’
And Don Jose would belch loudly across the table, and
then smile happily.
She on the other hand, used more subtle tactics. On
Sundays and Holidays of Obligation, she would bustle to Mass, and pray loudly
and convincingly for her husband. Then, with equally convincing tears, she
would bewail the futility of her prayers.
“One must continue to pray”, she piously told her
pew-neighbours, “even though miracles so very rarely happen!”
The village whore, a remarkably well-worn lady with
the most staggering flatulence, occupied the pew behind Dona Clara and reported
the context of these prayers to Don José during his Wednesday afternoon visits.
His diminutive frame shook with indignation and rage, but not a word did he
utter. He was a gentleman, and had gained the respect of the whole village. It
is hard not to be grateful for thirty-three years of gossip, speculation, and -
when all else fails, - pure invention, especially when both Dona Clara and her
husband were so pleasant to everyone else. The wake was well attended.
But wakes too have their social conventions, and not
even Dona Clara could deny Don Jose the attendant popularity of his death, nor
ignore the niceties of the situation. Everyone deserves a good funeral, and to
depart from this world in considerably better style than they have entered
it. And the wake, - in small village
communities at least, - is a prelude to the grander social gathering of the
funeral, only slightly muted by suppressed excitement. Friends, family, and
neighbours have the chance to meet, discuss the nobility of death, gossip about
the deceased’s life, and plan their individual roles in the far grander parade
of the funeral. Some chose to display profound grief (often not really felt),
others to recite the endless virtues ( often non-existent ) being interred in the coffin. It all needs
careful planning, and, of course, it needs a coffin.
A woman of profound religious beliefs, Dona Clara
nonetheless understood the necessity for accommodating both God and Mammon, and
in doing so, the need to fulfil the social obligations of death. The bar for
the wake was impressive. There were five different flagons of wine, and various
bottles of more potent effect. A very handsome barbecue spread its aroma
extensively around the house, and there was even a large bowl of salad. Don
Jose was laid out on a pallet in the shed, - a stone-walled building which by,
fortuitous chance, he had only finished white-washing the day before. Dona
Clara had brushed the floor herself, and there were generally favourable
comments on the artistic contrast of the white walls and the red pyjamas and
still-green face of Don Jose.
“He looks like a little saint”, someone had said, but
after thirty years of marriage, Dona Clara was well aware that saintliness was
not one of her husband’s virtues. Indeed, she had carefully placed the bar and
the barbecue at least fifty metres from the shed, partly to ensure no
slackening of the tumultuous chant of the rosary, and partly to remove all
final temptation from her dead husband, who was certainly capable of
self-resurrection for a last drink. In
the shed itself, a bevy of elderly but formidable ladies knelt in prayer,
maintaining the rise and swell of Our Fathers and Hail Maries. Dona Clara had
no illusions. If anything was to be done for Don Jose in the next world, the
Virgin Mary would have to exert all her considerable influence.
The wake had begun thirty minutes after Don Jose’s
arrival home. His wife had known immediately that something untoward had
occurred. Her husband had said that he would be home at seven o’clock, and not
only had he arrived home on time, but had done so sprawled out in the back of
his own dog-cart. Had he been sprawled out in the back of neighbour’s dog-cart,
she might have assumed that he was merely drunk, but such an arrival presaged a
more sombre fate. The neighbour who brought him back was sufficiently well-on
in years to have experienced death in all its shapes and forms, and had kindly
stopped at the Doctor’s house on the way home and collected the Death
Certificate. Thus the obvious became official, and Dona Clara was a widow. She
had sniffed a few times for appearance’s sake, and changed into the mourning
black which, on turning sixty, she had kept in readiness for relatives less
healthy than herself. She was not unduly upset. It was, she thought
philosophically, better to attend your husband’s funeral than to attend your
own, and she found herself looking forward to a few years of peace and quiet,
and, of course, to the funeral itself. She had found herself quite ready to
assume the state of widowhood.
This, in itself, had to be done discreetly, for the
village was a man’s world in which the men made all the arrangements, even
though they did little of the work. Already Don Jose’s elder brother and her
own brother were huddled together in conversation near the barbecue, and
sensing the moment she moved towards them. Behind them the rosary began its
sixteenth cycle. The Virgin Mary must have had her hands firmly clasped over
her ears.
“José will need a decent coffin and a decent car. We
can afford them”, she said without any further preliminaries.
“Now, Clara, you just leave the arrangements to Hilberto
and I, and don’t you worry about a thing”, said her brother.
“I shan’t worry about it”, she said staring fixedly at him, “ and you
two can make all the arrangements you want – as long as José has a decent
funeral. Just remember that as I’ll be paying for it, I shall have my say.” And
she wheeled round sharply on her way to investigate both the bar and the
rosary, leaving the two men to stare sadly at her receding back. César, her brother, took a long swig of wine,
and as a reflexive form of mopping up, he noisily sucked both ends of his
moustache.
“Grief has made her stubborn, Hilberto, - grief has
made her stubborn !” , he said poetically, for the wine was quite strong.
Hilbert was more pragmatic. “Grief has nothing to do with it. She always was a
stubborn bitch. That’s why Jose took to the bottle. She has a man’s ways.”
“Still, - she is paying. And it’s a decent thought.
Not like that whore’s daughter, Alicia, - you know – the fat spotty cow who
took up with the Doctor’s gardener.”
Hilberto nodded. Like most of the men in the village
he recalled Alicia vividly.
“When he died”, Cesar continued, “ .. the gardener, I
mean, - the Doctor is still with us unfortunately after what he did to my poor
mother ..”
“ ... And my young sister ?” , Hilberto interrupted.
“Ah yes, I remember ….. well, when the gardener died,
she was round to the Municipality for a free coffin. Got no money, she said,
and after all she taken off her man.
Well, she being a Peronista, they wouldn’t give her one, would they? So,
what does she do, the bitch? She ups and throws the poor bastard on the
Municipal tip. That’s what she does. Poor sod got his coffin though !”
There was long silence while they ruminated on this.
“You don’t think she’d do something like that, do you
? Like toss poor Jose on the tip if she
didn’t get her own way?”
The rosary began again, and over by the barbecue
someone began to sing emotionally but quite out of tune. A few new arrivals
stood by the shed admiring Don Jose, and Dona Clara used a long hard finger to
see if the salad was still quite fresh. There was another silence before César
answered.
“No, I don’t
think she’d do that. But she is certainly capable of telling the whole
village how mean we were with her money, - unless we do exactly what she
wants.”
Hilberto sighed heavily. The thought of such a scandal
was too much for him.
“Then we had best get a fine coffin and an even better
car. Don’t you agree?”
They finished their drinks and left.
When they arrived at the village square, it seemed
much darker and colder after the conviviality of the wake. They sat for a
moment hunched up in the dog-cart, two old men, grave, dignified and slightly
tipsy. The only movement came from the wind chasing bits of paper and dust
across the square, and the meanderings of a dog nosing around the children’s
swings. The church, the municipality, and the bank were all closed, and every
single house and shop was barred up against the dark and the cold. At the other
end of the square, one street light still worked, its feeble bulb swinging
monotonously from its cable in the wind, unaccompanied except for the one
yellow bulb outside the funeral parlour which illuminated the words ‘Ring for
Night Service’. Slowly Hilberto tied the
reins to his seat, and equally slowly he and César got down from the cart. With
the clumsy carefulness of one glass too many, César rang the bell. Much to his
surprise nothing happened. He rang again while Hilberto joined him in front of
the brown wooden door. Then, as they were both standing there wondering what
next to do, the door open slightly and a toneless voice said, “Yes. Has there
been a death?”
“Yes, and we need a coffin, - a good one mind – and a
car for tomorrow.” Hilberto spoke towards the pale light flickering through the
door. Cesar, leaning forwards, nodded his agreement. The door opened wider, and
the voice, now complemented by a dark brown hand, said “Do come in. I have a
fine selection of coffins.” They stumbled through the ochre light and across
the brick floor, and seated themselves on two quite ordinary plastic- covered
chairs at a quite ordinary metal desk. The Devil Rodriguez sat down opposite
them. A small smile hovered around the corners of his mouth, and quite suddenly
he switched on a desk-lamp, which had the eerie effect of illuminating only the
bottom half of his face, leaving the top half and the desk in total darkness.
“Are you afraid ?”, he asked them.
“ No”, answered Cesar quite truthfully, “ we came from
necessity not choice.”
“Quite” , said the Devil Rodriguez.
Hilberto had to satisfy his curiosity. Leaning forward
he asked, “They call you the Devil. Are you?”
“Not the Devil, no. I’m certainly not that
important.”
The two men looked around them, carefully examining
the bare brick walls of the little office. There was a calendar with no
pictures and a sign requesting customers not to spit on the floor. Outside the
wind rattled the door with a little more urgency, but the human silence was too
much for Hilberto.
“My brother is dead”, he announced abruptly. “We need
a good coffin and we shall need the black car to take him to the cemetery.”
“Of course”,
exclaimed the Devil, “I imagine that you would want a coffin.”
There was no hint of sarcasm in his voice. He took out
a sheaf of papers from the desk drawer.
“ Name?” , he asked.
“ Mine or the deceased’s ?” asked Cesar.
“ Whichever you prefer, but it would be quicker and
easier if we started with the deceased’s.”
“Jose Olmedo de Gazan.”
The Devil consulted his lists. “Was he a bad man ?”
“A bad man ?”, Cesár wondered out loud. “I really
don’t know. He drank a lot. He used to visit the village whore on Wednesdays, -
oh, and he never went to church. César continued to look puzzled, and then
added again, “I really don’t know.”
“No ........, I mean a bad man. A really
bad man, - not a conventionally bad man. Did he hurt anybody? Did he hate
anybody?”
The two old men stared at each other in amazement.
Then Hilberto said rather weakly, “Well, I think he hated his wife .”
“And did she hate him ?” , the Devil asked.
“Oh yes !”
The Devil frowned. “Then I should think one cancelled
the other out.” He looked down at his lists again, sucking hard on his teeth,
and scratching the invisible top of his head. Suddenly he pulled out another
sheet and perused it thoughtfully before saying, “ I don’t think he was a truly
bad man. Anyway, he’s not on my list, nor on the supplementary one. No he
appears to have been at least a moderately good person. I’m sorry,gentlemen,
but you have wasted your time. I can’t help you.”
“Can’t help us!
Can’t help us! What do you mean ?”, Hilberto asked sharply. The Devil
Rodriguez threw open his hands, and shrugged his shoulders.
“ I mean I can’t help you. All our good coffins are
reserved for our … our …our, how shall I say it? … our members.” He used the
Spanish word ‘afiliados’.
“Afiliados ?”, echoed Hilberto crossly. “I
didn’t know you had to join a scheme ! Shit and damnation! You can’t even die
these days without being a member of something ! Why don’t you people ever tell anybody until
it’s too late ?”
Hilberto was really annoyed, but César had been thinking.
Whatever the regulation might be, there’s always a way round it.
“Couldn’t we just pay a couple of instalments now and
join tonight ? Then we could drop round tomorrow and get the coffin out !”
“You can join whenever you like, but it isn’t a
question of paying.”, said the Devil with a languid smile.
“But don’t you have anything at all to offer us ?”,
broke in César urgently.
“Only some rather cheap coffins, and of course, you
can rent the car, - at a price ! But
good coffins, and the free use of the car, are – I regret to say – strictly for
members only!”
“Are there many ‘afiliados’ in the village?”, asked
César.
“Most people in the village are members.”
“Men and women?”
“Oh yes. There seems to be very little difference
between the sexes in certain things.”
“And children as well ?”
“Teenagers mostly, ....you know, once they get to
fifteen or sixteen, they begin to …. Begin to ….” The Devil seemed rather at a
loss for words.
“Well”, said Hilberto rather crossly, “ at least we
can have a look at the cheaper coffins while we are here. Perhaps we’ll find
something suitable.”
“ Perhaps”,said the Devil doubtfully, “ why don’t you
come this way?”
They pushed their
way through a tattered brown curtain, and entered a large windowless deposit.
One every side there were coffins, some piled on top of others, some lined up
against the walls. The effect was not in the least sinister. The different
sizes and colours, and the almost calculated disorder gave the coffins a
comfortable benign order rather like a giant set of children’s building blocks,
and the two bare bulbs that illuminated the deposit only added to the effect.
Both men, by now quite sober, were able to admire much of the workmanship they
saw before them. It was the carpentry that most caught their attention. The
Devil Rodriguez, watching them, nodded his head.
“You cannot deny the quality of the craftsmanship, can
you ?” he said in self-satisfied tones. “Look, this one is made of cedar wood.
Look at the finish! And look at the inner lining! The very best silk!” He ran his hand gently around the rim, while
the two men nodded agreement. “And take a look at these handles. No cheap metal
here. Good solid brass!”
Hilberto put his arms behind his back, and pursed his
lips approvingly.
“It’s excellent”, he said, “really excellent. Would
you mind if I asked you how much it cost?”
“You wouldn’t believe me if I told you”, said the
Devil.
“A thousand pesos ?”, insisted Hilberto, never able to
leave a topic alone.
“Oh much more than that ! Much, much more than that.
The man for whom this coffin is reserved has paid thousands for it, - in a
manner of speaking.”
“Reserved?”, queried César.“Who has reserved it?”
“It’s for the Mayor. Don Pascual.”
“Don Pascual?”. The two
men were incredulous.
“When did he die? Shit! I saw him only this morning!” César’s
voice was sharp and unbelieving.
“Oh, he’s not dead yet. He still has another eight
years, three months and eleven days to go.”
“Do you mean to tell us that Don Pasual knows exactly
when he is going to die, and has already chosen his coffin ?”
Hilberto crossed himself rapidly as the Devil watched
with obvious irritation.
“Don’t do that in here, please. It gives me migraine.”
Then he went on more calmly. “No, I don’t suppose that he knows any such thing.
At any rate, he gives no sign at present of any concern for the future. And he
certainly hasn’t chosen anything. I chose it for him. I believe in looking
after my ‘afiliados’, and getting them only the best.”
“And all these?”, Hilberto asked gesturing wildly
about him, “all these are reserved ? You have chosen all these ?”
“Yes, most of them, at least. I do keep a few extras.
There are always a few surprises. People one knows,- or thinks, -will become
last minute members.”
The two men looked at each other cautiously, the first
fingers of fear stabbing at them.Then Hilberto said, “So you can’t help
us.” It was a statement rather than a
question, - the first step towards the door.
“Well you know, I’ve been thinking,” said the Devil
Rodriguez, “and something has just occurred to me. Perhaps I can help you after
all. Tell me, how tall was your brother?”
“About one metre seventy.Why ?”
“And his weight?”
“About eighty kilos.”
“Perfect !”, said the Devil as he turned towards
César. “I’ll tell you what we’ll do.
We’ll give him your sister’s.”
Twenty minutes later, the two old men carefully fixed
their load onto the back of the dog-cart. The coffin was magnificent with
beautifully polished teak, a lining of full deep crimson, and handles and
latches that shone like burnished gold. They had signed the papers, and the big
car would arrive at eleven the next morning. It only remained to contact the
priest. Carefully they turned the horse, both feeling tired and old. The wind,
a little stronger now, mockingly slapped their faces as the horse began its
weary plod through the dust, and the moon tipped its first light over the
mountain tops. It was some time before either of them could speak.
It was César who first broke the silence.“So that is
what happened to our mother.”
“And to the inheritance money”, added Hilberto. There
was another long silence.
“I’ll kill her”, said César, “I’ll kill the bitch !”
“And I’ll help you”, said Hilberto. Then he added,
“It’s the only way you and I will get decent coffins.”
lunes, 16 de enero de 2012
The last time I was in England, I was fascinated by the contrasts in English society and in everyday English life. It's a country of scones and cream and hat-lifting 'good mornings' and stomach-churning piles of decaying rubbish and gratuitous 'fuck-yous'. That's what this poem was about. I have just "polished it up" for La_Flaca.
Church spires lured me,
and I swooned for
greengage jam and scones.
History piled stones on history
and on that gentleness
of town and country English
born, middle-classed.
garden-rooted, pub-lunched
reasonableness, socked me
in my guts.
But there is
another England not to be
swooned for then or now or ever.
Privilege piled on poverty lying
out in doorways, town street
kip-outs, community care despairing
in dingy doorway dug-outs,
while booze and fags and fuck-you
feed on plastic food and
souless hair.
Church spires lured me,
and I swooned for
greengage jam and scones.
History piled stones on history
and on that gentleness
of town and country English
born, middle-classed.
garden-rooted, pub-lunched
reasonableness, socked me
in my guts.
But there is
another England not to be
swooned for then or now or ever.
Privilege piled on poverty lying
out in doorways, town street
kip-outs, community care despairing
in dingy doorway dug-outs,
while booze and fags and fuck-you
feed on plastic food and
souless hair.
sábado, 14 de enero de 2012
Getting Back Into It
Someone once told me, - I can't remember who or when. It may even have been in a dream! - that writing requires two things, - time and discipline. Well that explains all my problems, but I do agree! So I'm starting with the idea that I should write something everyday, without necessarily publishing it on this blog or finishing it, or writing to some purpose. I don't thinks that it even needs to be something coherent, or even especially interesting. I think I should just write, - checking out my basic skills from punctuation to discourse and forcing myself to think about what I am writing.
This morning I started a poem - ( no it's nowhere near ready to be seen!) - and yesterday I blogged an invitation to anyone out there to join me and this afternoon, here I am blogging again. I also have quite an exciting new idea for a story.
Somebody has already asked me whether we shouldn't do all this in Spanish. Why not? Language should never be a barrier to creation.
This morning I started a poem - ( no it's nowhere near ready to be seen!) - and yesterday I blogged an invitation to anyone out there to join me and this afternoon, here I am blogging again. I also have quite an exciting new idea for a story.
Somebody has already asked me whether we shouldn't do all this in Spanish. Why not? Language should never be a barrier to creation.
viernes, 13 de enero de 2012
A Thousand and One Excuses
I'm starting this because 40 years ago, I made a decision to write, and for many years I did. I was never greatly successful, although I've had a reasonable number of poems and short-stories published.Indeed, I even ran workshops and seminars for those who wanted to write. And there are at least two people who have gone on from those workshops to achieve real success.
However, in the last 5 or 6 years I haven't done much more than think about it. A couple of weeks ago, I was cleaning out a drawer in my office when I found an old note book from 15 years ago, and leafing through it I found poems and ideas for stories that I had forgotten all about, - and what was worse there were some really good ideas there.
I began thinking - you know those hammer-blows of conscience! Here's something that one really wants to do, but doesn't because ... ? or can't because ...? I been turning this round in my head trying to think, but the only clear thought I have is that one needs company. I can't believe that nobody else has this sinking sense of failure to do something one really wants to do. So I have started this blogspot for me and any of you out there who are in the same boat.
So, where should we begin?
However, in the last 5 or 6 years I haven't done much more than think about it. A couple of weeks ago, I was cleaning out a drawer in my office when I found an old note book from 15 years ago, and leafing through it I found poems and ideas for stories that I had forgotten all about, - and what was worse there were some really good ideas there.
I began thinking - you know those hammer-blows of conscience! Here's something that one really wants to do, but doesn't because ... ? or can't because ...? I been turning this round in my head trying to think, but the only clear thought I have is that one needs company. I can't believe that nobody else has this sinking sense of failure to do something one really wants to do. So I have started this blogspot for me and any of you out there who are in the same boat.
So, where should we begin?
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